what songs are in frozen the musical? The stage show includes familiar songs from Disney’s 2013 film, such as “Let It Go,” alongside new songs written for the musical. The full list includes numbers from both acts, from the opening “Vuelie” and “Let the Sun Shine On” to the finale.
Below, you’ll find the songs in performance order, a guide to what each one does in the story, and a quick comparison with the movie soundtrack. You’ll also learn why a cast album or local production may present the music in a slightly different order.
what songs are in frozen the musical? The full list
The Broadway stage musical combines songs from the animated film with additional numbers written for the stage. Its score was written by Kristen Anderson-Lopez and Robert Lopez, who also wrote the film’s songs. The table below gives the main song sequence for the Broadway version, grouped by act.
“Vuelie,” the atmospheric opening heard in the film, leads into the stage musical’s “Let the Sun Shine On.” Some productions and recordings may present transitions, reprises, or track breaks differently, so the table is best read as a guide to the central stage score rather than a promise that every recording has identical track labels.
| Act | Song | What it does |
|---|---|---|
| Act One | Vuelie | Opens the story with a choral, atmospheric introduction. |
| Act One | Let the Sun Shine On | Introduces the kingdom and the royal family. |
| Act One | A Little Bit of You | Shows Anna and Elsa’s bond when they are young. |
| Act One | Do You Want to Build a Snowman? | Follows the sisters’ growing distance over time. |
| Act One | For the First Time in Forever | Builds excitement as the castle opens for Elsa’s coronation. |
| Act One | Hans of the Southern Isles | Introduces Hans and his hopes for the royal gathering. |
| Act One | Love Is an Open Door | Celebrates Anna and Hans’s sudden connection. |
| Act One | Reindeer(s) Are Better Than People | Gives Kristoff a comic moment with Sven. |
| Act One | What Do You Know About Love? | Brings Anna and Kristoff’s contrasting views into focus. |
| Act One | In Summer | Lets Olaf imagine the warm weather he has never experienced. |
| Act One | Let It Go | Marks Elsa’s decision to stop hiding her magic. |
| Act Two | Hygge | Introduces a lively celebration of comfort and togetherness. |
| Act Two | I Can’t Lose You | Centers on Elsa and Anna’s relationship and their fears. |
| Act Two | Fixer Upper | Lets the trolls offer their spirited advice about love. |
| Act Two | Kristoff Lullaby | Gives the story a quieter, more tender musical moment. |
| Act Two | Monster | Shows Elsa wrestling with fear about the danger she might pose. |
| Act Two | Colder by the Minute | Raises the urgency as the winter crisis worsens. |
| Act Two | True Love | Connects the story’s resolution to love between the sisters. |
| Act Two | Finale | Brings the principal themes and characters together at the end. |
The table lists the central songs, not every brief musical transition or repeated phrase used in a particular production. A reprise is a shorter return of a song or melody, often changed to reflect what a character has learned. If a cast recording separates a reprise into its own track, its track list may look longer than this overview.
Which songs come from the Frozen movie?
Several well-known numbers carry over from the animated film. These include “Do You Want to Build a Snowman?,” “For the First Time in Forever,” “Love Is an Open Door,” “Reindeer(s) Are Better Than People,” “In Summer,” “Let It Go,” and “Fixer Upper.” Their presence gives the stage show recognizable musical landmarks, while the surrounding score helps the story work as a live theater piece.
The stage versions are not simply copies of the movie soundtrack. A song may be shaped to fit the timing, staging, or vocal needs of a live scene. The musical also gives some characters and relationships more room, which is why additional songs appear between familiar moments.
“Let It Go” remains the major turning point for Elsa. In both versions, it follows her escape from Arendelle and her decision to stop concealing her powers. On stage, the number also has to work with a live performer, costume changes, lighting, and theatrical effects. Those choices can make the scene feel different even when the song itself is familiar.
What new songs were written for the stage musical?
The stage score adds songs that are not part of the original film soundtrack. The most notable include “Let the Sun Shine On,” “A Little Bit of You,” “Hans of the Southern Isles,” “What Do You Know About Love?,” “Hygge,” “I Can’t Lose You,” “Kristoff Lullaby,” “Monster,” and “Colder by the Minute.” These additions expand the story rather than replacing its best-known songs.
New songs that build the characters
“A Little Bit of You” helps establish the sisters’ closeness when they are children. That early connection matters because the plot later depends on the cost of their separation. The song gives the audience another view of what Anna and Elsa shared before fear and secrecy changed their relationship.
“Hans of the Southern Isles” gives Hans a musical introduction of his own. The number helps establish his place in the royal gathering and adds context before the story’s central conflict develops. It is one example of how the stage version can give supporting characters more material.
“What Do You Know About Love?” puts Anna and Kristoff’s different ideas about romance into a direct exchange. Instead of treating their journey only as an adventure, the song lets their personalities and assumptions clash. It also helps develop their relationship at a pace that suits the stage story.
New songs that add a different mood
“Hygge” is a lively ensemble number built around the idea of comfort and shared warmth. Its broad, playful tone contrasts with the danger and isolation elsewhere in the plot. “Monster,” by comparison, is a more serious song about Elsa’s fear that her powers make her dangerous.
“I Can’t Lose You” gives Elsa and Anna space to express the emotional stakes between them. “Kristoff Lullaby” offers a quieter change of pace, while “Colder by the Minute” adds momentum as the crisis deepens. Together, these songs give the second act a wider range of moods than a simple sequence of reprises would provide.
How the stage song list differs from the film soundtrack
The biggest difference is the balance between familiar songs and new material. The film’s soundtrack was created for a movie, where scenes can shift quickly and visual storytelling carries part of the emotion. A stage musical has to hold a theater audience through scene changes and live performances, so it uses additional songs to develop characters, move between events, and shape the evening’s pace.
| What you are comparing | Frozen film soundtrack | Frozen stage musical | Best for |
|---|---|---|---|
| Familiar songs | Features the songs written for the animated film. | Includes several major film songs in a theatrical adaptation. | Listeners who want the original movie music should start with the film soundtrack. |
| Additional material | Does not include the stage-only songs. | Adds songs such as “Hygge,” “Monster,” and “I Can’t Lose You.” | People curious about expanded character moments should choose the stage score. |
| Story presentation | Uses animation, editing, and film-specific scene timing. | Uses live actors, theatrical staging, and a two-act structure. | Audiences interested in a different telling of the story may prefer the musical. |
| Track sequence | Follows the album’s film-related track order. | May reflect acts, transitions, and production-specific recording choices. | Anyone following the plot should use the show’s act order rather than assume album order. |
For a quick way to tell which version you are hearing, look for “Hygge,” “Monster,” or “What Do You Know About Love?” Those are useful clues that the recording is from the stage musical rather than the original film soundtrack. Conversely, hearing “Let It Go” alone does not identify the version, since it appears in both.
Why album track lists may not match the performance list
A cast album is a recording, not a minute-by-minute transcript of a live show. It may group an opening with the song that follows, omit dialogue, or give a reprise its own track. A stage performance can also include short instrumental passages that do not appear as separate album tracks.
Different productions may make approved adjustments to fit their venue, cast, or licensed version. That does not mean every song changes. It means a school, regional, touring, or other production may not present precisely the same sequence or musical details as the original Broadway production.
For the clearest comparison, check what you are using: a movie soundtrack, a Broadway cast recording, or a program for a specific live production. Album titles tell you what was recorded; a show program is the better reference for the order in that performance.
How to listen to the songs in story order
If you want the music to follow the plot, listen in act order rather than searching for the most famous songs individually. Start with “Vuelie” and “Let the Sun Shine On,” then follow the sequence through Elsa’s “Let It Go.” After the act break, continue with “Hygge” and the second-act songs through “Finale.”
- Begin with the opening. “Vuelie” sets the musical atmosphere, and “Let the Sun Shine On” establishes the royal world.
- Follow the sisters’ early story. “A Little Bit of You,” “Do You Want to Build a Snowman?,” and “For the First Time in Forever” trace childhood, distance, and the coronation.
- Listen through the first-act turning point. The songs introduce Hans, Anna and Kristoff, and Olaf before Elsa sings “Let It Go.”
- Continue after the interval. “Hygge” changes the mood, while the later songs develop the sisters’ conflict and bring the plot toward its resolution.
- Use the recording’s own track order where available. Some albums combine musical sections, so a track list may not display every stage cue as a separate item.
This order is useful if you already know the movie and want to hear how the theatrical version builds its story. It also makes the new songs easier to understand: instead of hearing them as isolated extras, you can hear what each one contributes to the character or scene.
What to listen for in the songs
Pay attention to how the score changes as the sisters’ relationship shifts. The early songs establish warmth and playfulness, while later numbers bring more tension and uncertainty. That change helps the music track the story’s emotional development, not just its plot events.
Listen for the contrast between characters, too. Anna tends to meet the world with openness and quick enthusiasm, while Elsa’s songs often reflect the pressure of hiding her powers and trying to control them. Kristoff, Olaf, Hans, and the trolls each bring a different tone, from understated humor to broad ensemble comedy.
The repeated ideas matter as well. A returning melody can remind you of an earlier scene, while a reprise can change the meaning of a song after a character has changed. When you compare the film and stage versions, notice not only which titles appear, but also where the musical moments sit in the story.
Common questions about the musical’s songs
Does the stage musical include “Let It Go”?
Yes. “Let It Go” is part of the stage musical, as well as the animated film. It remains a major moment for Elsa, although its live staging differs from the movie’s animation.
Does the musical include “Show Yourself”?
“Show Yourself” is associated with Frozen II, not the original 2013 film. It is not one of the central songs in the Broadway stage musical based on the first film. Check the program for a particular production if you are asking about an adaptation or special event.
Are “Hygge” and “Monster” in the movie?
No. They are songs written for the stage musical. “Hygge” is a lively group number, while “Monster” focuses on Elsa’s fears about her powers.
Is “Fixer Upper” in the stage show?
Yes. “Fixer Upper” is a song from the original film and appears in the stage musical. Its presence does not mean the entire movie soundtrack is performed unchanged.
Are all productions’ song lists identical?
The central score is associated with the musical, but individual productions or recordings can differ in presentation, track divisions, and some staging details. For a specific performance, its program is the most useful guide to the songs in that version.
What is the easiest way to tell the musical soundtrack from the movie soundtrack?
Look for stage-only titles such as “Hygge,” “I Can’t Lose You,” or “Monster.” The original film recording does not include those songs, while the musical includes them alongside several familiar numbers.
The stage score pairs familiar film favorites, including “Let It Go,” with new songs that give the characters and story more room. The act-by-act list is a reliable starting point, though a cast album may group or label musical sections differently.
To hear the theatrical story unfold, play the songs in act order and look for stage-only numbers such as “Hygge” and “Monster.” For a particular live production, check its program for the exact sequence.
That is the practical answer to what songs are in frozen the musical: familiar melodies are part of the show, but the added stage songs make its full score distinct from the movie soundtrack.