The first Frozen movie has more songs in its story: it has nine musical numbers, compared with eight in Frozen II, if you count each distinct number performed in the film.
The answer can change if you count soundtrack tracks instead. Those albums include end-credit covers, and some lists treat reprises as separate songs while others do not.
Here’s a clear comparison of the two movies, the soundtrack versions, and the counting choices that cause different answers. You’ll also find a list of each film’s musical numbers, so you can see exactly what is included.
which frozen has more songs? Count the numbers in the movies
Frozen (2013) has one more in-story musical number: nine, compared with eight in Frozen II (2019). This count includes songs and reprises that appear in each movie, but excludes alternate versions recorded for the end credits.
That is the most useful answer if you mean the songs the characters perform as the films unfold. The difference is small, and the exact total depends on what you call a separate song. A reprise is a shorter return to an earlier song, while an end-credit recording may be a new performance of a song already heard in the story.
For a fair comparison, use one counting rule for both movies. Count each distinct musical number heard in the film once, including a reprise if it is performed as its own number. Do not add a studio cover just because it appears on a soundtrack album.
Song-by-song comparison
The table lists the main vocal numbers in each movie. The Frozen count includes the reprise of “For the First Time in Forever.” The Frozen II count includes “Reindeer(s) Are Better Than People (Cont.),” which continues the earlier song’s melody and idea as a short separate moment.
| Film | In-story songs and numbers | Count | What the count means |
|---|---|---|---|
| Frozen | “Frozen Heart”; “Do You Want to Build a Snowman?”; “For the First Time in Forever”; “Love Is an Open Door”; “Let It Go”; “Reindeer(s) Are Better Than People”; “In Summer”; “For the First Time in Forever (Reprise)”; “Fixer Upper” | 9 | Includes the reprise; excludes the end-credit cover of “Let It Go.” |
| Frozen II | “All Is Found”; “Some Things Never Change”; “Into the Unknown”; “When I Am Older”; “Reindeer(s) Are Better Than People (Cont.)”; “Lost in the Woods”; “Show Yourself”; “The Next Right Thing” | 8 | Includes the brief continuation; excludes alternate end-credit recordings. |
These totals are for the films’ vocal songs, not every piece of music in the score. Instrumental background music, orchestral cues, and brief musical transitions are not normally counted as songs.
Why different lists give different answers
There is no single count everyone uses because “song” can mean several things. A viewer may mean a complete musical number in the movie. A music fan may mean every vocal track on an album. Someone comparing songbooks may count a reprise or a repeated chorus as its own entry.
Those methods can produce different totals without either list being careless. They are counting different things. For a movie-to-movie comparison, the in-story count is the clearest measure. For an album comparison, compare the track lists and state whether alternate recordings count.
Reprises and short continuations
A reprise brings back all or part of a song heard earlier. Frozen has a reprise of “For the First Time in Forever,” performed when Anna tries to reach Elsa after the palace doors close. It is brief, but it is a distinct musical number in the film, so the table counts it.
Frozen II has “Reindeer(s) Are Better Than People (Cont.),” a short continuation of Kristoff’s earlier song. Some lists may group it with the original rather than treat it as a separate number. If you group continuations instead of counting each appearance, Frozen II’s total becomes seven rather than eight.
End-credit recordings
An end-credit version is a separate recording, often performed by another artist, rather than another song performed by the characters in the story. Frozen’s soundtrack includes Demi Lovato’s end-credit version of “Let It Go.” Frozen II’s soundtrack includes additional end-credit recordings, including versions of songs performed by other artists.
Adding those recordings changes the comparison from “Which movie has more songs?” to “Which soundtrack album has more vocal tracks?” Be careful not to count an alternate recording as a new song title. It is a new track, but it is not a new composition or in-story number.
What changes if you compare the soundtrack albums?
If you count vocal tracks on the standard soundtrack releases, Frozen II has more listed song tracks: its album includes the film’s songs as well as additional end-credit recordings. Frozen’s album also includes an end-credit version of “Let It Go,” but has fewer vocal tracks overall under this method.
That does not contradict the movie count. The first film has more in-story numbers under the counting method above, while the second soundtrack has more vocal tracks because it includes more alternate recordings. Album editions can vary, so use the same release and counting rule when comparing track totals.
| What you are counting | Frozen | Frozen II | Best answer for that question |
|---|---|---|---|
| Distinct in-story vocal numbers | 9 | 8 | Frozen has more. |
| In-story numbers, grouping the short continuation with its earlier song | 9 | 7 | Frozen has more. |
| All vocal tracks on the standard soundtrack albums | Fewer | More | Frozen II has more tracks, including alternate recordings. |
| Instrumental score cues | Not included above | Not included above | Compare score albums separately; cues are not songs. |
The table uses categories rather than treating every release as identical. Expanded, deluxe, international, or digital editions can include bonus material. A track count may also include a reprise, demo, or end-credit performance that is absent from another edition.
What each movie’s songs contribute
Song totals are one way to compare the films, but they do not tell you how much music matters to the story. Frozen’s songs help establish the sisters’ childhood, show their different needs, and lead into Elsa’s decision to live apart from the kingdom. Frozen II uses songs to explore the past, test the characters’ choices, and move them toward answers about their family and home.
Frozen’s musical numbers
“Frozen Heart” opens with the ice harvesters and introduces the film’s winter imagery. “Do You Want to Build a Snowman?” moves through Anna and Elsa’s childhood, showing how their relationship changes after Elsa’s powers become difficult to control.
“For the First Time in Forever” presents Anna’s excitement about the coronation and the castle opening. “Love Is an Open Door” is a duet between Anna and Hans. Its quick romance later proves important to the plot, so the song is more than a lighthearted break.
“Let It Go” marks a major change for Elsa. She stops hiding her powers and builds an isolated life in the mountains. “Reindeer(s) Are Better Than People” and “In Summer” give Kristoff and Olaf short character songs. The reprise of “For the First Time in Forever” brings Anna and Elsa together during a tense scene, while “Fixer Upper” features the trolls as they try to influence Kristoff and Anna.
Frozen II’s musical numbers
“All Is Found” introduces a lullaby connected to the story’s questions about the past. “Some Things Never Change” brings the main characters together before their lives are disrupted. “Into the Unknown” reflects Elsa’s growing curiosity and the call she hears beyond the kingdom.
“When I Am Older” gives Olaf a comic way to imagine that experience will make confusing events easier to understand. “Reindeer(s) Are Better Than People (Cont.)” is a quick musical return for Kristoff. “Lost in the Woods” gives him a larger solo as he struggles with uncertainty about his relationship with Anna.
“Show Yourself” is a central discovery for Elsa and connects her personal search to the film’s larger mystery. “The Next Right Thing” gives Anna a quieter, serious moment after a major loss. These songs make Frozen II feel musically substantial even though it has one fewer in-story number by the count used here.
How to count the songs yourself
If you see a different total online, you can check the list without relying on an unexplained number. Use this simple process:
- Choose the scope. Decide whether you mean songs heard in the movie or tracks on a soundtrack. Do not mix the two.
- Count character performances. Include vocal numbers performed in the story. Leave out instrumental score cues unless you are specifically comparing all music tracks.
- Set a rule for reprises. Count a reprise when it appears as a distinct musical moment, or group it with the original. Apply the same rule to both movies.
- Decide how to handle short continuations. Frozen II’s “Reindeer(s) Are Better Than People (Cont.)” can be counted separately or grouped with the earlier song. Say which choice you made.
- Keep end-credit covers separate. They are additional recordings, not additional story songs. Include them only when comparing soundtrack tracks.
- Check the album edition. A deluxe or expanded release may contain bonus recordings that do not appear on a standard soundtrack.
This method prevents a common counting mistake: comparing one film’s story songs with the other film’s entire album. The numbers may look precise, but the comparison is not fair unless both sides use the same rules.
Common mistakes when comparing Frozen songs
Counting every soundtrack track as a new song
A soundtrack can include a movie performance and a separate end-credit cover of the same title. Those are two tracks, but they are not two different songs in the story. Count each recording when you are comparing album contents; count the song once when you are comparing distinct titles.
Forgetting that a reprise is still a musical number
Some lists omit reprises because they are shorter or reuse earlier material. That can be a reasonable choice, but it should be applied consistently. If you count Frozen’s “For the First Time in Forever (Reprise),” use the same approach for a continuation or reprise in Frozen II.
Counting instrumental score cues as songs
Both films have orchestral music that supports scenes without lyrics. Score tracks can be important parts of the soundtrack, but they are different from songs performed by characters. Mixing score cues into a vocal-song total makes the answer harder to interpret.
Assuming more songs means more music overall
A higher song count does not necessarily mean a film has more total music or longer songs. One film may have several short numbers, while another has fewer songs with longer performances and more instrumental score. Song count answers a narrow question; it does not measure soundtrack length, musical quality, or how memorable the songs are.
Which Frozen soundtrack should you choose?
If you want the songs as they appear in the story, choose the soundtrack for the film whose scenes and characters you most want to revisit. Frozen offers familiar numbers such as “Let It Go,” while Frozen II includes “Into the Unknown,” “Show Yourself,” and “The Next Right Thing.” Both albums contain score music as well as songs, so check the track listing if you only want vocal performances.
If you want alternate artist recordings, look for the soundtrack edition that lists those versions. These recordings can sound different from the film performances, but they do not change the number of songs the characters sing in the movie. A useful check is to compare the track names, not just the total number displayed by a music store.
For a playlist, you may prefer to include one version of each song title and add covers only when you want to hear a different performance. That avoids accidental duplicates while preserving the option to compare versions. If you are making a school list or quiz answer, name your counting rule so the total can be checked easily.
By counting the distinct vocal numbers performed in the stories, Frozen has nine and Frozen II has eight. The first movie therefore has one more in-story song under a consistent count.
Soundtrack totals can differ because albums include alternate end-credit recordings, and lists handle reprises differently. For your next comparison, decide whether you mean movie songs or album tracks, then count both films using that same rule.